Basic Ideas and Concepts |
| Seifukan |
西風館 |
Hall (dojo) of the West Wind |
Haragei
|
腹芸
|
Using the lower abdomen as the
center of power/movement,
breath and concentration (Sanchin) |
| Karategi |
空手着 |
Karate uniform also Keikogi (稽古着) "training uniform" |
| Karateka |
空手家 |
Karate practiioner |
| Ki (Chi; Qi) |
気; 氣 |
Life force; breath; vital energy; breath-energy; breath-power; spirit |
| Kiai |
気合 |
Shout on focusing a strike |
| Makiwara |
巻藁 |
Striking post |
|
| Muchimi |
餅身 |
Stickiness / heaviness |
| Morote |
双手 |
With both hands |
| Obi |
帯 |
Belt |
| Uwagi |
上衣 |
Jacket |
| Zubon |
ズボン |
Pants |
Numbers, Counting and Era |
| Ichi; Hitotsu; Itsu |
一; 壱 |
1: One |
| Ni; Futatsu |
二; 弐 |
2: Two |
| San; Mittsu |
三; 参 |
3: Three |
| Shi; Yon; Yotsu |
四; 肆 |
4: Four |
| Go; Itsutsu |
五; 伍 |
5: Five |
| Roku; Muttsu |
六; 陸 |
6: Six |
| Shichi; Nanatsu, Nana |
七; 漆 |
7: Seven |
| Hachi; Yatsu |
八; 捌 |
8: Eight |
| Kyu; Kokonotsu |
九; 玖 |
9: Nine |
| Ju; To |
十; 拾 |
10: Ten |
| Hyaku |
百; 陌 |
100: One hundred |
| Sen |
千; 阡 |
1,000: One thousand |
Showa
|
昭和
|
The Era (Enlightened Peace) of Emperor Hirohito
(the Showa Emperor: 19261225-19890107) |
Heisei
|
平成
|
The Era (Peace Everywhere) of Emperor Akihito
(the Heisei Emperor: 18980108 -) |
Note:
|
the second, more complex kana shown are used in legal documents and
may be used on Kokusai Goju Kobujutsu Kenkyukai certificates |
Commands |
|
|
| Damatte keiko! |
黙って稽古 |
Shut up and train! |
| Hajime! |
始め |
Begin! |
|
Hanshi Nitaishite Rei! |
範士に対して礼 |
Bow to Hanshi! |
| Kiwotsuke! |
気を付け |
Come to attention! |
| Kyoshi Nitaishite Rei! |
教士に対して礼 |
Bow to Kyoshi! |
|
Mawatte! |
回って |
Turn around! |
| Moichido! |
もう一 |
One more time! |
|
Mokuso! |
黙想 |
Close eyes and meditate! |
| Mokuso Yame! |
黙想止め |
Cease meditation! |
| Otagaini Nitaishite Rei! |
御互いにに対して礼 |
Bow to each other! |
|
Rei!; Lei! |
礼 |
Bow! |
| Renshi Nitaishite Rei! |
練士に対して礼 |
Bow to Renshi! |
| Seiza! |
正坐 |
Assume the formal kneeling posture! |
 |
| Semete! |
攻め手 |
You are the attacker! |
| Sensei Nitaishite Rei! |
先生に対して礼 |
Bow to Sensei! |
| Shihan Nitaishite Rei! |
師範に対して礼 |
Bow to Shihan! |
| Shinden Nitaishite Rei! |
神殿に対して礼 |
Bow to the dojo shrine! |
| Shomen Nitaishite Rei! |
正面に対して礼 |
Bow to the front! |
| Tate!; Kiritsu! |
立て; 起立 |
Stand up! |
| Ukete! |
受け手 |
You are the defender! |
| Yame! |
止め |
Stop! (what you are doing) |
| Yasume! |
休め |
Continue! |
| Yoi! |
用意 |
Ready! (Assume Heiko-dachi) |
| Yoshi! |
良 |
Continue! |
Kokusai Goju Kobujutsu Kenkyukai Teaching Titles |
| Hanshi |
範士 |
The most senior teaching title |
| Kyoshi |
教士 |
The 2nd most senior teaching title |
| Shihan |
師範 |
The 3rd most senior teaching title |
| Renshi |
練士 |
The 4th most senior teaching title |
| Sensei |
先生 |
The 5th most senior teaching title |
Etiquette |
|
|
| Arigato Gozaimasu! |
有り難う御座います |
Thank you very much! |
| Hai! |
はい |
Yes! |
| Iie! |
いいえ |
No! |
| Onegai Shimasu! |
お願いします |
Please help me! |
| Shitsurei Shimasu! |
失礼します |
Excuse me |
The Virtues |
|
|
Dojo-kun’yu
|
道場訓諭
|
Dojo Admonition, Dojo rules, “the virtues;”
also known as Dojo-kun (道場訓) |
| The five precepts of the Kokusai Goju Kobujutsu Kenkyukai , the Dojo Kun’y, are: |
 |
Organisation |
|
|
| Dan |
段 |
Grade; black belt rank |
| Dojo |
道場 |
"Way place;" Training place |
| Dojo-cho |
道場長 |
Dojo head |
| Kai |
会 |
Association |
| Kai-cho |
会長 |
Association head |
| Kai-ha |
会派 |
Tradition, e.g. Ceberano-ha |
Kokusai Goju
Kobujutsu Kenkyukai |
国際剛柔古武術研究会
|
International Goju Traditional Martial
Art Research Society |
| Kohai |
後輩 |
Less senior student (to you) |
| Kyu |
級 |
Grade below black belt |
| Mudansha |
無段者 |
Non black belt member |
Sempai
|
先輩
|
More senior student (to you;) in the IGK
specifically 1st and 2nd dan members |
| Shibu-cho |
支部長 |
Branch head |
| Shihan-kai |
師範会 |
An association of Shihans |
| Kodansha |
高段者 |
Black belt above 6th dan |
| Yudansha |
有段者 |
Black belt member |
| Yudansha-kai |
有段者会 |
Association of black belt holders |
Training |
|
|
| Ashi wo kaeru |
足を変える |
Change legs |
| Ate-waza |
当て伎 |
Striking (Smashing) techniques |
| Awase-gumite |
合わせ組手 |
Slow, light, cooperative sparing |
Bunkai-gumite
|
分解組手
|
Paired analysis of kata application
in the IGK: fixed application of kata |
Chibu-jutsu (Tsubo-jutsu)
|
壷術
|
The art of attacking the vital points.
Okinawan name for Kyusho/Kinsho-jutsu |
| Fudo-gumite |
不動組手 |
Stationary, hands only sparring |
Go-waza
|
剛伎
|
Hard techniques:
punches, strikes and kicks |
Henka-waza
|
変化伎
|
Changing techniques; adapting a specific
technique to the circumstances or changing
it into another technique, according to the
circumstances |
Ju-waza
|
柔伎
|
Soft techniques: throws, joint-locks and
strangulations |
| Jyu-gumite |
由自組手 |
Free sparing |
| Kansetsu-waza |
関節伎 |
Joint-manipulation techniques |
| Kata; Gata |
型; 形 |
Solo form or pattern |
Kaiwashi-waza
|
躱し伎
|
Evasion techniques
(Tai-sabaki, Ashi-sabaki and Tenshin) |
|
Keri-waza; Geri-waza |
蹴り伎 |
Kicking techniques |
| Kihon |
基本 |
Basic; elementary |
| Kihon-ido; Ido-kihon |
基本移動; 移動基本 |
Moving basics |
Ko-waza
|
小伎
|
Execution or training of techniques using
small movements of the body, limbs and/o
center of gravity |
| Kumite; Gumite |
組手 |
Fighting exercise |
| Kyusho-waza |
急所伎 |
Vital point techniques |
Kyougi-gumite
|
教義組手
|
Teaching the meaning of the self
defence applications of kata |
| Morote-waza |
双手伎 |
Two handed techniques |
| Nage-waza |
投げ伎 |
Throwing techniques |
| Ne-waza |
寝伎 |
Ground techniques |
O-waza
|
大伎
|
Execution or training of techniques using
large movements of the body, limbs and/or
center of gravity |
| Renraku-waza |
連絡伎 |
Combination techniques |
| Semete |
攻め手 |
the attacker |
| Shime-waza |
絞め伎 |
Strangulation techniques |
| Suwari-waza |
座り伎 |
Seated techniques |
| Tachi-waza |
立ち伎 |
Standing techniques |
| Te wo kaeru |
手を変える |
Change arms |
| Tsuki-waza |
突き伎 |
Punching techniques |
|
Tuidi or Tuite (Torite) |
取手 |
Grappling, wrestling |
| Uchi-waza |
打伎 |
Striking techniques |
| Ukete |
受け手 |
the defender |
| Uke-waza |
受け伎 |
Blocking/deflecting techniques |
| Ukemi-waza |
受け身伎 |
Break fall techniques |
Levels and Directions |
| Jo-dan |
上段 |
Upper level |
Chu-dan |
中段 |
Middle level |
| Ge-dan |
下段 |
Lower level |
| Hiza-shita |
膝下 |
Lowest level - below the knee |
 |
| Embujo |
演武場 |
Centre of the dojo; practice area |
| Genkan |
玄関 |
Entry to the dojo |
| Hidari |
左 |
Left |
Joseki
|
上席
|
Upper side of dojo;
Seniors side; right hand side |
Kamiza
|
上坐
|
Seat of honour; dojo spirit’s seat;
front of dojo |
| Migi |
右 |
Right |
| Mae; Zen |
前 |
Front |
Shimoseki
|
下席
|
Lower side of dojo; Juniors side;
left hand side |
| Shimoza |
下坐 |
Lower seat; rear of the dojo |
| Shinden |
神殿 |
Dojo shrine |
| Shomen |
正面 |
Front of the dojo |
| Ushiro |
後 |
Back; behind; Rear |
Stances / Postures |
|
|
| Tachi; Dachi |
立ち |
Stance |
| Kamae |
構 |
Posture |
| Bensoku-dachi |
便側立ち |
Cross behind step from Seipai – similar to kosa-ashi |

|
| Fudo-dachi |
不動立ち |
Immovable stance |
| Hanzenkutsu-dachi |
平前屈立ち |
Half or short front stance |
Heiko-dachi
|
併行立ち
|
Parallel stance: shoulder width, knees
slightly bent, feet slightly turned in |
| Heisoku-dachi |
閉塞立ち |
Closed foot stance: Feet together |

|
| Hikui shiko-dachi |
低い四股立ち |
Deep Shiko-dachi,
(thighs horizontal) |
| Hikui zenkutsu-dachi |
低い前屈立ち |
Deep front stance |
|
Kiba-dachi
|
騎馬立ち
|
Horse riding stance; like Shiko-dachi
but with parallel feet |
|
Kokutsu-dachi |
後屈立ち |
Back stance |
|
Kosa-ashi-dachi |
交叉足立ち |
Cross leg stance |
|
Koshi-dachi |
腰立ち |
Squat stance |
Musubi-dachi
|
結立ち
|
Closed stance (with heels touching);
used as formal attention stance |

|
| Moto-dachi |
基立ち |
Basic fighting stance |
| Naifanchin-dachi |
内汎戦立ち |
Stance from Naifanchin |
| Neko ashi-dachi |
猫足立ち |
Cat foot stance |
| Renoji-dachi |
レ−の字立ち |
"L" (Re/Le) shaped stance |
| Sagi ashi-dachi |
鷺足立ち |
Heron stance; ‘one leg stance’ |
| Sanchin-dachi |
三戦立ち |
Three battles stance |
| Shiko-dachi |
四股立ち |
Straddle leg stance |
 |
| Shiko-dachi Kujudo |
四股立ち九十度 |
Sideward 90 degree shiko-dachi |
| Shiko-dachi Yokomuki |
四股立ち横向 |
Sideward 90degree shiko-dachi |
| Shiko-dachi Naname |
四股立ち傾 |
Diagonal 45 degree shiko-dachi |
| Shiko-dachi Yonjugodo |
四股立ち四十五度 |
Diagonal 45 degree shiko-dachi |
Soto hachi-dachi
|
外八立ち
|
Shoulder width stance feet
turned out at 45 degrees |
Uchi hachi-dachi
|
内八立ち
|
One foot width wider than
shoulder width, feet parallel |
| Zenkutsu-dachi |
前屈立ち |
Forward stance |
Footwork and Bodywork |
| Ashi-sabaki |
足捌 |
Foot shifting |
| Ayumi-ashi |
歩み足 |
Natural step |
| Gyaku-kaiten |
逆回転 |
Reversed turn (of the hips) |
| Happo-ido |
八方移動 |
Movements in 8/All directions |
| Hiki-ashi |
引足 |
Pulling back the leg |
| Hiki ayumi-ashi |
引歩み足 |
Pull back/step over |
| Hiraki yose-ashi |
開寄足 |
Side stepping |
| Hiraki kosa-ashi |
開交叉足 |
Side stepping with kamae change |
|
Hojo-oshi |
補助押し |
Augmented strike from Seiyunchin |
 |
Hojo-oshi |
|
| issokucho |
一足長 |
One foot stance |
| Jun-kaiten |
順回転 |
Regular turn (of the hips) |
| Keri-ashi |
蹴り足 |
Kicking foot |
| Kotai |
後退 |
Backwards |
| Sayu |
左右 |
Sidewards |
| Sayu Kotai Naname |
左右後退傾 |
Diagonal backwards |
| Sayu Zenpo Naname |
左右前方傾 |
Diagonal forward |
| Suri-ashi |
摺足 |
Sliding foot step |
Tai-sabaki
|
体捌き
|
Generally: body shift;
Literal: handling the body
Usually used to denote evasion
techniques in which a combination
of foot movements and turning of
the body is used |
Tenshin
|
転進
|
Movement; moving. Used to denote
evasion techniques based on foot
movements |
| Tsugi-ashi |
次足 |
Shuffling foot step |
| Yori-ashi |
寄り足 |
Dragging foot step |
| Zenshin |
前進 |
Forward |
Body Parts |
|
|
| Ashi |
足 |
Foot/Leg |
| Hara |
腹 |
Belly/Abodmen |
| Ken |
拳 |
Fist |
| Seika-tanden |
臍下丹田 |
One's centre |
| Shu; Te |
手 |
Hand |
| Shita-hara |
下腹 |
Lower abdomen |
Blocking/Deflecting Techniques |
| Age-uke |
上げ受け |
Rising deflection |
| Chudan-gedan Shita-barai |
中段下段下払い |
Combination middle level/low level deflection |
| Chudan soto-uke |
中段外受け |
Mid-level outward deflection |
| Chudan uchi-uke |
中段内受け |
Mid-level inward deflection |
| Gedan-barai |
下段払い |
Low sweeping deflection |
| Harai otoshi-uke |
払い落し受け |
Low sweeping deflection with the palm |
| Hiji-uke |
肘受け |
Elbow deflection |
| Hiza uchi-uke |
膝内受け |
Inward knee deflection |
| Hojo-uke |
補助受け |
Augmented deflection from Seiyunchin |
 |
| Jodan-uke |
上段受け |
Upper level deflection |
| Kaki-te |
鈎手 |
Hooking hand |
| Kaki-uke |
鈎受け |
Hooking deflection |
| Kosa-uke |
交叉受け |
Cross arm deflection |
Ko-uke
|
曲受け
|
Controlling deflection with the back
of the hand from Kururunfa |
Kuri-uke
|
繰り受け
|
Inside-out circular elbow deflection,
as used in Kururunfa |
Mawashi-uke
|
回し受け
|
Two handed circular deflection
(also known as tora-guchi or tigers mouth) |
 |
| Nagashi-uke |
回流し受け |
Flowing palm deflection |
| Shuto-uke |
手刀受け |
Hand sword delflection |
| Sukui-uke |
掬い受け |
Scooping deflection |
Tora-guchi
|
虎口
|
Tiger's mouth
(also know as Mawashi-uke) |
| Ude-uke |
腕受け |
Inside of arm deflection |
| Umi-barai |
弓払い |
Archer pose sweeping deflection |
 |
Striking Techniques |
|
|
| Age ura-zuki |
上げ裏突き |
Rising inverted punch from Seiyunchin |
| Age-zuki |
上げ突き |
Rising punch |
| Choku-zuki |
直突き |
Straight punch |
| Chudan-zuki |
中段突き |
Mid-level punch |
 |
| Empi-uchi |
猿臂打 |
Elbow strike |
| Furi-uchi |
振り打 |
Circular haito-uchi |
| Furi-zuki |
振り突き |
Circular punch |
| Gaiwanto-uchi |
外腕刀打 |
Outside sword arm (forearm) strike |
| Gedan Hiraken-uchi |
下段平拳打 |
Lower level flat hand strike from Seipai |
| Gedan-zuki |
下段突き |
Lower level punch |
| Gyaku-zuki |
逆突き |
Reverse punch |
| Haishu-uchi |
背手打 |
Back of hand strike |
 |
| Haito-uchi |
背刀打 |
Blunt side sword hand strike |
| Haiwanto-uchi |
背腕刀打 |
Backward outside sword arm (forearm) strike |
| Heiko-zuki |
併行突き |
Parallel punch from Saifa |
| Hiji-ate |
肘当て |
Elbow strike |
Hiki Kai-zuki
|
引下突き
|
Combination hiki ayumi-ashi, lead hand
harai-otoshi and gyaku-zuki |
Hiki-te
|
引手
|
Pulling back the opposite hand to
the breast |
| Hiraken-uchi |
平拳打 |
Flat fist strike |
| Hira-nukite |
平抜き手 |
Flat spear hand thrust from Seiyunchin |
 |
| Jodan-zuki |
上段突き |
Upper-level punch |
| Kage-zuki |
鈎突き |
Hook punch |
| Kata-ate |
肩当て |
Shoulder strike |
| Keito-uchi |
鶏刀打 |
Chicken's head strike |
Kentsui-uchi
|
拳椎打
|
Hammer fist strike (also known as
Tetsui-uchi 鉄椎打 Iron Hammer strike) |
| Kisami-zuki |
刻み突き |
Jab punch |
Koken-uchi
|
曲拳打
|
Bent wrist strike (also known as
Kakuto-uchi 角刀打 Bent sword strike
and as Kakuken 角拳 Bent fist |
 |
| Koshi-ate |
腰当て |
Body strike (bump) |
| Kouto-ate |
後頭当て |
Head butt with back of head |
| Kumade |
熊手 |
Bear hand strike |
| Morote awase-zuki |
双手合わせ突き |
Double punch from Gekisai Dai Ichi |
| Naiwanto-uchi |
内腕刀打 |
Inside sword arm strike |
| Nakayubi Ippon-ken |
中指一本拳 |
Middle knuckle fist |
| Nukite |
抜き手 |
Spear hand thrust |
| Ippon-nukite |
一本抜き手 |
Single finger spear hand thrust |
| Nihon-nukite |
二本抜き手 |
Two finger spear hand thrust |
| Yonhon-nukite |
四本抜き手 |
Four finger spear hand thrust |
 |
| Oi-zuki |
追突き |
Lunging punch |
| Oyayubi Ippon-ken |
親指一本拳 |
Thumb fist |
| Ryuto-ken |
龍登拳 |
Rising dragon fist |
| Sanbon-zuki |
三本突き |
Three consecutive punches |
| Seiken-zuki |
正拳突き |
Normal fist punch |
| Seiryuto-uchi |
生立刀打 |
Standing sword hand strike |
Shoken
|
小拳
|
Single knuckle fist {small fist}
(also known as Ryu-ken 龍X拳 Dragon fist) |
Shotei-uchi
|
掌底打
|
Heel of hand strike
(also know as Teisho-uchi 底掌打) |
 |
| Shuto |
手刀 |
Hand sword (also known as Te-gatana 手刀) |
| Shuto Mawashi-uchi |
手刀回し打 |
Circlular hand sword strike |
| Shuto-uchi |
手刀打 |
Hand sword strike |
| Tateken-zuki |
立拳突き |
Standing (vertical) fist punch |
| Ura Hiraken-uchi |
裏平拳打 |
Inverted flat hand punch from Kururunfa |
 |
| Ura-zuki |
裏突き |
Inverted punch |
| Uraken-uchi |
裏拳打 |
Back fist strike |
| Washide-uchi |
鷲手打 |
Eagle hand (claw) strike |
| Yoko Oi-zuki |
横追突き |
Sideward lunch punch |
| Yoko Ura-zuki |
横裏突き |
Sideward inverted punch |
| Zento-ate |
前頭当て |
Head butt with front of head |
 |
Kicking Techniques |
| Gyaku-Mawashi-Geri |
逆回し蹴り |
Reverse roundhouse kick |
| Hiza-geri |
膝蹴り |
Knee kick |
| Kakato-Geri |
踵蹴り |
Back of the heel kick |
| Kansetsu-geri |
関節蹴り |
Sokuto-geri to the knee |
| Keage-geri |
蹴上蹴り |
Snap kick |
 |
Kekomi-geri |
蹴込蹴り |
Thrust kick |
| Kin-Geri |
金蹴り |
Groin kick with the instep |
| Kinteki-geri |
金的蹴り |
Groin kick with the instep |
| Kogan-geri |
睾丸蹴り |
Deep groin kick (with shin) |
| Mae-Geri |
前蹴り |
Front kick |
 |
| Mawashi-Geri |
回し蹴り |
High roundhouse kick |
Mawashi-geri: chosoku
|
回し蹴り:長足
|
High roundhouse kick:
Strike with the ball of the foot |
Mawashi-geri: haisoku
|
回し蹴り:背足
|
High roundhouse kick:
Strike with the instep |
Sokutei furi-geri
|
足底振蹴り
|
Swinging sole of the foot
kick from Suparinpai |
Sokuto-Geri
|
足刀蹴り
|
Thrusting kick striking
with the edge of the foot |
 |
| Sune-Geri |
脛蹴り |
Kick with the shinbone |
| Ushiro-Mawashi-Geri |
後回し蹴り |
Backward roundhouse kick |
| Yoko-Geri |
横蹴り |
Low roundhouse kick |
Yoko-geri: chosoku
|
横蹴り:長足
|
Low roundhouse kick:
Strike with the ball of the foot |
Yoko-geri: haisoku
|
横蹴り:背足
|
Low roundhouse kick:
Strike with the instep |
Grappling Techniques |
| Ura-waza |
裏伎 |
Reversing techniques |
| Tsukami-waza |
掴み伎 |
Grabbing techniques |
| Hiki-waza |
引伎 |
Pulling techniques |
| Oshi-waza |
押し伎 |
Pushing techniques |
| Hazushi-waza |
外し伎 |
Avoidance techniques |
 |
Kaeshi waza |
返し伎 |
Reversal techniques |
Hiji-age |
肘上 |
Elbow lifting |
| Osae waza |
押え伎 |
Controlling techniques; techniques to control the opponent |
Thowing Techniques |
Ashi-nage |
足投げ |
Leg throw |
| Ashi-barai |
足払い |
Foot sweep |
| Ashi-basami |
足鋏 |
Leg scissors |
| Koshi-nage |
腰投げ |
Hip throw |
| Kata-nage |
肩投げ |
Shoulder throw |
| Te-nage |
手投げ |
Hand throw |
| Ashi-dori |
足捕り |
Grabbing the leg |
| Furi-nage |
振投げ |
Swinging throw |
| Sukui-nage |
掬い首投げ |
Scooping throw |
| Kubi-nage |
首投げ |
Neck throw |
| Sutemi-nage |
捨身投げ |
Sacrificial throw |
Joint Techniques |
Ashi-garami
|
足絡み
|
Leg entwine. Joint lock in which the
legs of the attacker is bend and
twisted into a lock |
| Ashikubi kansetsu-waza |
足首関節伎 |
Ankle-joint manipulation techniques |
Hiji-garami
|
肘絡み
|
Technique in which the elbows
of the opponent are crossed in
order to create an arm lock |
| Hiji Kansetsu-waza |
肘関節伎 |
Elbow-joint manipulation techniques |
Hiza-garami
|
膝絡み
|
Knee entwine. Joint lock in which
the legs of the attacker is bent
and twisted into a knee lock |
| Hiza kansetsu-waza |
膝関節伎 |
Knee-joint manipulation techniques |
| Kote-gaeshi |
小手返し |
Wrist reversal (to throw) |
Kote Kansetsu-waza
|
小手関節伎
|
Alternative name for wrist-joint
manipulation techniques |
| Kubi-hineri |
首捻り |
Neck twist |
| Kubi kansetsu-waza |
首関節伎 |
Neck-joint manipulation techniques |
Ude-osae
|
腕押え
|
Forearm control used in a joint
lock, for example, the elbow |
| Suhei-osae |
水平押え |
Horizontal control |
| Maki-age |
巻上 |
Rising (arm) roll |
| Tekubi kansetsu-waza |
手首関節伎 |
Wrist-joint manipulation techniques |
Tekubi-gaeshi |
手首返し |
Alternate for Kote-gaeshi |
Ude-garami
|
腕絡み
|
Arm entwine; Joint lock in which
the arm of the attacker is bent
and twisted into an arm lock |
Ude kansetsu-waza
|
腕関節伎
|
Arm-joint manipulation techniques.
This can refer to wrist, elbow or
shoulder joint |
| Yubi-gaeshi |
指返し |
Finger reversal (twist or bend) |
Yubi kansetsu-waza |
指関節伎 |
Finger joint manipulation techniques |
Strangling and Choking |
| Hadaka-jime |
裸締め |
Naked strangulation |
 |
Eri-jime |
衿締め |
Strangulation using the collar |
| Okuri Eri-jime |
送り衿締め |
Strangulation sliding the collar |
 |
Drills |
Kihon-ido Ichi |
基本移動一 |
Basic manoeuvring #1 |
| Kihon-ido Ni |
基本移動二 |
Basic manoeuvring #2 |
| Kihon-ido San |
基本移動三 |
Basic manoeuvring #3 |
Sanchin-shuho: Jodan
|
三戦手法:上段
|
Four direction manoeuvring
exercise using jodan-uke |
Sanchin-shuho: Chudan
|
三戦手法:中段
|
Four direction manoeuvring
exercise using chudan-uke |
Konji-ido
|
金字移動
|
Diamond pattern
manoeuvring exercise |
Yakusoku Kumite Ichi |
約束組手一 |
Pre-arranged fighting #1 |
| Yakusoku Kumite Ni |
約束組手二 |
Pre-arranged fighting #2 |
| Yakusoku Kumite San |
約束組手三 |
Pre-arranged fighting #3 |
Kihon Geri |
基本蹴り |
Pre-arranged fighting Kicking |
| Yonhon Kumite |
四本組手 |
Four part Sparring drill |
Gohon Kumite |
五本組手 |
Five part Sparring drill |
| Nanahon Kumite |
七本組手 |
Seven part Sparring drill |
IGK Goju-ryu Kata |
Taikyoku no Gata |
大局の型 |
Kata of the "First Cause" |
A series of 6 kata developed by YAMAGUCHI Gogen Hanshi as kihon Gata or Foundational kata
for his Goju-ryu organisation IKG Gojukai Goju-ryu |
| Taikyoku: Jodan |
大局:上段 |
First cause high level (attack) |
| Taikyoku: Chudan |
大局:中段 |
First cause mid level (attack) |
| Taikyoku: Gedan |
大局:下段 |
First cause low level (attack) |
| Taikyoku: Mawashi-uke |
大局:回し受け |
First cause circular deflection |
| Taikyoku: Kaki-uke |
大局:鈎受け |
First cause hooking deflection |
| Taikyoku: Gousei |
大局:合成 |
First cause combination kata |
Sanchin
|
三戦
|
"Three Battles"
Fundamental Goju-ryu kata |
| Gekisai Dai Ichi |
撃砕:第一 |
"Attack and smash" #1 |
| Gekisai Dai Ni |
撃砕:第二 |
"Attack and smash" #2 |
Saifa
|
砕破
|
“Smash and Tear”
(thought to come from
Shifa 獅法 “Lion method”) |
Seiyunchin
|
制引戦
|
"Pull in and Battle"
(thought to come from
Seiyouchin 青鷹戦
“Blue Hawk Battle”) |
| Sanseiru |
三十六手 |
" Thirty six" (techniques) |
| Seisan |
十三手 |
"Thirteen" (techniques) |
Shisochin
|
四向戦
|
“Four way Battle”
(thought to come from
Shisauchin 蟋蟀戦 “Cricket Battle”) |
| Seipai |
十八手 |
"Eighteen" (techniques) |
Kururunfa
|
久留頓破
|
“Holding Ground”
(thought to come from
Gorunfa 臥龍法
“Lying Dragon Law”) |
Suparinpai
|
壱百零八手
|
"One hundred and eight techniques"
(also known as Pechurin ペッチュリン
“100 continuous (steps)” |
| Tensho |
転掌 |
“Rotating Palms” |
| Sanchin~Tensho |
三戦~転掌 |
A combination of Sanchin kata and Tensho kata |
Extension Kata: Nafadi |
| Naifunchin |
内汎戦 |
"The battle within" |
Naifunchin: Ju-ho
|
井箆能耐能之内汎戦柔法
|
"The battle within soft method" as taught
by Tino Ceberano Hanshi |
Naifunchin: Zengou
|
内汎戦前後
|
“The battle within back and forth method”
A development kata based on Naifunchin
but using an “X” shaped embusen |
Aragaki no Sochin
|
新垣之壯鎮
|
ARAGAKI Seisho 新垣世璋 sensei’s version
of Sochin, “Men of Peace;” a Nafadi 那覇手
(Naha-te) kata well known to both HIGASHIONNA
sensei and MIYAGI Sensei |
Aragaki no Niseishi
|
新垣之二十四歩
|
ARAGAKI Seisho 新垣世璋 sensei’s version
of Niseishi, “Twenty Four” (steps) also known as
Nijushiho 二十四方 |
Geishusai
|
迎襲砕
|
“Counter attack then smash”
A development kata based on Gekisai |
Extension Kata: Tumaidi |
Matsumora no Rohai
|
松茂良之鷺牌
|
MATSUMORA Kosaku 松茂良興作 sensei's version
of Tumaidi 泊手 (Tomari-te) kata Rohai "Vision
of a White Heron" |
Oyadomari no Patsai
|
親泊之抜砦
|
OYADOMARI Kokan 親泊興寛 sensei’s version of
Patsai (Passai/Bassai), “To remove an obstruction;”
a Tumaidi 泊手 (Tomari-te) version of the well
known Suidi kata |
Kyan no Chintou
|
喜屋武之戦東
|
KYAN Chotoku 喜屋武朝徳 Sensei's version
of Tumaidi 泊手 (Tomari-te) kata Chintou
“Battle in the east” |
Kyan no Ueseishi
|
泊之五十四歩
|
KYAN Chotoku 喜屋武朝徳 Sensei's version
of Tumaidi 泊手 (Tomari-te) kata Ueseishi
“Fifty Four” (Steps) also known as
Gojushiho 五十四方 |
Tumai no Wandou |
泊之王道 |
“The kings way” |
Extension Kata: Suidi |
Matsumura no Seisan
|
松村之十三手
|
MATSUMURA Sokon 松村宗棍 sensei’s version of
Seisan “Thirteen” a Suidi 首里手 (Shuri-te) kata
closely related to the Goju-ryu kata of the same
name |
Chokyu
|
長宮
|
No meaning – Combines the alternate
pronunciation of the first kanji of both
NAGAMINE Shoshin Sensei's and
MIYAGI Chojun Sensei's names |
Extension Kata: White Crane |
Mabuni no Niipai
|
摩文仁之二十八歩
|
“Twenty Eight” (steps;) a White Crane kata
from the teachings ofMIYAGI sensei's close
friend WU Xianhui 五乾卉 (Go Kenki) Shifu as
developed by MABUNI Kenwa Sensei 摩文仁賢和 |
Paipuren
|
八歩連
|
"Eight Linked Steps"
A precursor to Sanchin from
Quanfa Xing "Ba Bu Lien" |
Go no Hakuchou
|
五之白鳥
|
“White Crane” also from the
teachings of WU Xianhui 五乾卉 Shifu
(also know as Paihou 白鴇 “White Ibis”) |
Matayoshi no Kakuken
|
又吉之鶴拳
|
“Crane Fist” also from the teachings of WU
Xianhui
五乾卉 Shifu from Kingai-ryu 金硬流,
MATAYOSHI Shinpo又吉眞豊 sensei where
it is know as
Hakutsuru 白鶴 "White Crane" |
Matayoshi no Hakkaku
|
又吉之白鶴
|
“White Crane” also from the teachings
of WU Xianhui Shifu from Kingai-ryu 金硬流,
MATAYOSHI Shinpo 又吉眞豊 sensei where
it is know as Hakkaku Nidan 白鶴:二段 |